Eisen | Tamagawa of the Maru-Ebiya, kamuro
溪齋英泉 Keisai Eisen (1790–1848)
丸海老屋內 江川
Tamagawa of the Maru-Ebiya, kamuro
1820s~30s
木版画 | 纵绘大判 | 36.5cm x 25.4cm
Woodblock-print | Oban-tate-e | 36.5cm x 25.4cm
早期版次;颜色鲜艳;品相非常好
Fine impression, color and condition
$3,500
Interested in purchasing?
Please contact us.
溪齋英泉 Keisai Eisen (1790–1848)
丸海老屋內 江川
Tamagawa of the Maru-Ebiya, kamuro
1820s~30s
木版画 | 纵绘大判 | 36.5cm x 25.4cm
Woodblock-print | Oban-tate-e | 36.5cm x 25.4cm
早期版次;颜色鲜艳;品相非常好
Fine impression, color and condition
$3,500
Interested in purchasing?
Please contact us.
溪齋英泉 Keisai Eisen (1790–1848)
丸海老屋內 江川
Tamagawa of the Maru-Ebiya, kamuro
1820s~30s
木版画 | 纵绘大判 | 36.5cm x 25.4cm
Woodblock-print | Oban-tate-e | 36.5cm x 25.4cm
早期版次;颜色鲜艳;品相非常好
Fine impression, color and condition
$3,500
Interested in purchasing?
Please contact us.
Keisai Eisen (1790–1848)
Keisai Eisen was born in Edo into the Ikeda family, the son of a noted calligrapher. He was apprenticed to Kanō Hakkeisai, from whom he took the name Keisai, and after the death of his father he studied under Kikugawa Eizan. His initial works reflected the influence of his mentor, but he soon developed his own style.
He produced a number of surimono (prints that were privately issued), erotic prints, and landscapes, including The Sixty-nine Stations of the Kiso Kaidō, which he started and which was completed by Hiroshige. Eisen is most renowned for his bijin-ga (pictures of beautiful women) which portrayed the subjects as more worldly than those depicted by earlier artists, replacing their grace and elegance with a less studied sensuality. He produced many portraits and full-length studies depicting the fashions of the time.