Eisen | No. 13-6-5, from an untitled series of beauties

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溪齋英泉 Keisai Eisen(1790-1848)

美人集 十三 六 五
No. 13-6-5, from an untitled series of beauties. Surimono-style print.

1820s

木版画 | 四切判 | 19cm x 12.5cm
Woodblock-print | Koban | 19cm x 12.5cm

颜色鲜艳;有轻微污渍
Strong color; little dirt

Interested in purchasing?
Please contact us.

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溪齋英泉 Keisai Eisen(1790-1848)

美人集 十三 六 五
No. 13-6-5, from an untitled series of beauties. Surimono-style print.

1820s

木版画 | 四切判 | 19cm x 12.5cm
Woodblock-print | Koban | 19cm x 12.5cm

颜色鲜艳;有轻微污渍
Strong color; little dirt

Interested in purchasing?
Please contact us.

溪齋英泉 Keisai Eisen(1790-1848)

美人集 十三 六 五
No. 13-6-5, from an untitled series of beauties. Surimono-style print.

1820s

木版画 | 四切判 | 19cm x 12.5cm
Woodblock-print | Koban | 19cm x 12.5cm

颜色鲜艳;有轻微污渍
Strong color; little dirt

Interested in purchasing?
Please contact us.

Keisai Eisen (1790–1848)

Keisai Eisen was born in Edo into the Ikeda family, the son of a noted calligrapher. He was apprenticed to Kanō Hakkeisai, from whom he took the name Keisai, and after the death of his father he studied under Kikugawa Eizan. His initial works reflected the influence of his mentor, but he soon developed his own style.

He produced a number of surimono (prints that were privately issued), erotic prints, and landscapes, including The Sixty-nine Stations of the Kiso Kaidō, which he started and which was completed by Hiroshige. Eisen is most renowned for his bijin-ga (pictures of beautiful women) which portrayed the subjects as more worldly than those depicted by earlier artists, replacing their grace and elegance with a less studied sensuality. He produced many portraits and full-length studies depicting the fashions of the time.