Koitsu | Kinryuzan Temple at Asakus
土屋光逸 Tsuchiya Koitsu (1870–1949)
浅草金竜山
Kinryuzan Temple at Asakus
1938
木版画 | 纵绘大大判 | 43.0cm x 29.2cm
Woodblock-print | Large oban tata-e | 43.0cm x 29.2cm
首次出版1938年；此幅为1950s的再次印刷；颜色鲜艳；有明显的渐变；品相非常好
Designed 1938; reprinted 1950s; very good condition with wonderful bokashi and color
SOLD
Interested in purchasing?
Please contact us.
土屋光逸 Tsuchiya Koitsu (1870–1949)
浅草金竜山
Kinryuzan Temple at Asakus
1938
木版画 | 纵绘大大判 | 43.0cm x 29.2cm
Woodblock-print | Large oban tata-e | 43.0cm x 29.2cm
首次出版1938年；此幅为1950s的再次印刷；颜色鲜艳；有明显的渐变；品相非常好
Designed 1938; reprinted 1950s; very good condition with wonderful bokashi and color
SOLD
Interested in purchasing?
Please contact us.
土屋光逸 Tsuchiya Koitsu (1870–1949)
浅草金竜山
Kinryuzan Temple at Asakus
1938
木版画 | 纵绘大大判 | 43.0cm x 29.2cm
Woodblock-print | Large oban tata-e | 43.0cm x 29.2cm
首次出版1938年；此幅为1950s的再次印刷；颜色鲜艳；有明显的渐变；品相非常好
Designed 1938; reprinted 1950s; very good condition with wonderful bokashi and color
SOLD
Interested in purchasing?
Please contact us.
Tsuchiya Koitsu (1870–1949)
For Tsuchiya Koitsu, in a sense, life began at 60. That’s when he met Shozaburo Watanabe and started publishing designs with him. Decades earlier, he’d been a student of the legendary Ukiyoe master Kobayashi Kiyochika for 19 years — even living in his house — and was known for his dramatic triptyches portraying the Sino-Japanese War of the 1890s. In the end it was his work with Watanabe that gained him fame, and his particularly modern appreciation of water reflections and light effects.