Koitsu | Tomonotsu, Inland Sea

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土屋光逸 Tsuchiya Koitsu (1870–1949)

濑户内海 鞆津
Tomonotsu, from the series Inland Sea

1940

木版画|纵绘大大判| 39cm x 25.4cm
Woodblock|Large Oban-tate-e|39cm x 25.4cm

首次出版1940年;此幅为1946-1957的再次印刷;轻微黄化
Designed 1940; reprinted 1946-1957; slight toning

SOLD

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Please contact us.

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土屋光逸 Tsuchiya Koitsu (1870–1949)

濑户内海 鞆津
Tomonotsu, from the series Inland Sea

1940

木版画|纵绘大大判| 39cm x 25.4cm
Woodblock|Large Oban-tate-e|39cm x 25.4cm

首次出版1940年;此幅为1946-1957的再次印刷;轻微黄化
Designed 1940; reprinted 1946-1957; slight toning

SOLD

Interested in purchasing?
Please contact us.

土屋光逸 Tsuchiya Koitsu (1870–1949)

濑户内海 鞆津
Tomonotsu, from the series Inland Sea

1940

木版画|纵绘大大判| 39cm x 25.4cm
Woodblock|Large Oban-tate-e|39cm x 25.4cm

首次出版1940年;此幅为1946-1957的再次印刷;轻微黄化
Designed 1940; reprinted 1946-1957; slight toning

SOLD

Interested in purchasing?
Please contact us.

Tsuchiya Koitsu (1870–1949)

For Tsuchiya Koitsu, in a sense, life began at 60. That’s when he met Shozaburo Watanabe and started publishing designs with him. Decades earlier, he’d been a student of the legendary Ukiyoe master Kobayashi Kiyochika for 19 years — even living in his house — and was known for his dramatic triptyches portraying the Sino-Japanese War of the 1890s. In the end it was his work with Watanabe that gained him fame, and his particularly modern appreciation of water reflections and light effects.