Shinsui
Snowstorm, The Second Series of Modern Beauties
伊東深水 Ito Shinsui(1898-1972)
现代美人集第二集 吹雪
Snowstorm, from the series of The Second Series of Modern Beauties
1932
木版画|纵绘大大判|44cm×27.5cm
Woodblock-print |Large Oban tate-e|44cm×27.5cm
限定250枚的242枚;品相非常好
250 limited edition, number 242; mint condition
深水的美人,自是一绝,而如这幅一般充满动态的,却是罕见,以至于它所有新版画美人画里我的最喜欢的一幅。第一次见到她时,我什么也没干,就盯着停了一刻钟,耳边仿佛一直有沙沙的风声,感觉睫毛都快被雪花盖住了。
苇荡芦花就是与漫天飞雪似乎特别搭配,两者一结合便能成就冬日的清冷灰白。微张的桃色和伞,就像在雪中打出一束追光,正好罩在姑娘身上,把她那胭脂色的衣服凸显在画面中央。更让人惊喜的是,姑娘鬓角和簪子上的樱花,就像冬日里的红梅,真应了那句 “雪向梅花枝上堆”。再看姑娘的脸颊,虽然被冻得泛起红晕,但她神态镇定,优雅非常。只见她扭头看向一边,躲避着刺骨的寒风。
本作刊印于1932年12月,是限量发行仅250枚的第242枚,且带渡边正方形的礼品章,此章是比较罕见的出版章样式,用于私人出版物的发行,不对外出售,通常用来送礼,珍贵程度不言而喻。全画品相几近完美,摺痕清晰分明,纵然世纪变迁,愈发历久弥新。
Interested in purchasing?
Please contact us.
伊東深水 Ito Shinsui(1898-1972)
现代美人集第二集 吹雪
Snowstorm, from the series of The Second Series of Modern Beauties
1932
木版画|纵绘大大判|44cm×27.5cm
Woodblock-print |Large Oban tate-e|44cm×27.5cm
限定250枚的242枚;品相非常好
250 limited edition, number 242; mint condition
深水的美人,自是一绝,而如这幅一般充满动态的,却是罕见,以至于它所有新版画美人画里我的最喜欢的一幅。第一次见到她时,我什么也没干,就盯着停了一刻钟,耳边仿佛一直有沙沙的风声,感觉睫毛都快被雪花盖住了。
苇荡芦花就是与漫天飞雪似乎特别搭配,两者一结合便能成就冬日的清冷灰白。微张的桃色和伞,就像在雪中打出一束追光,正好罩在姑娘身上,把她那胭脂色的衣服凸显在画面中央。更让人惊喜的是,姑娘鬓角和簪子上的樱花,就像冬日里的红梅,真应了那句 “雪向梅花枝上堆”。再看姑娘的脸颊,虽然被冻得泛起红晕,但她神态镇定,优雅非常。只见她扭头看向一边,躲避着刺骨的寒风。
本作刊印于1932年12月,是限量发行仅250枚的第242枚,且带渡边正方形的礼品章,此章是比较罕见的出版章样式,用于私人出版物的发行,不对外出售,通常用来送礼,珍贵程度不言而喻。全画品相几近完美,摺痕清晰分明,纵然世纪变迁,愈发历久弥新。
Interested in purchasing?
Please contact us.
伊東深水 Ito Shinsui(1898-1972)
现代美人集第二集 吹雪
Snowstorm, from the series of The Second Series of Modern Beauties
1932
木版画|纵绘大大判|44cm×27.5cm
Woodblock-print |Large Oban tate-e|44cm×27.5cm
限定250枚的242枚;品相非常好
250 limited edition, number 242; mint condition
深水的美人,自是一绝,而如这幅一般充满动态的,却是罕见,以至于它所有新版画美人画里我的最喜欢的一幅。第一次见到她时,我什么也没干,就盯着停了一刻钟,耳边仿佛一直有沙沙的风声,感觉睫毛都快被雪花盖住了。
苇荡芦花就是与漫天飞雪似乎特别搭配,两者一结合便能成就冬日的清冷灰白。微张的桃色和伞,就像在雪中打出一束追光,正好罩在姑娘身上,把她那胭脂色的衣服凸显在画面中央。更让人惊喜的是,姑娘鬓角和簪子上的樱花,就像冬日里的红梅,真应了那句 “雪向梅花枝上堆”。再看姑娘的脸颊,虽然被冻得泛起红晕,但她神态镇定,优雅非常。只见她扭头看向一边,躲避着刺骨的寒风。
本作刊印于1932年12月,是限量发行仅250枚的第242枚,且带渡边正方形的礼品章,此章是比较罕见的出版章样式,用于私人出版物的发行,不对外出售,通常用来送礼,珍贵程度不言而喻。全画品相几近完美,摺痕清晰分明,纵然世纪变迁,愈发历久弥新。
Interested in purchasing?
Please contact us.
Ito Shinsui (1898-1972)
Ito Shinsui is best known for his Shin Hanga portraits, often three-quarters, of beautiful women. But he produced several memorable, and memorably tonal, landscapes during his career.
Born in 1898 in a fast-modernizing Japan, he started work as a factory worker before his obvious talent got him promoted to the design department. Later, his paintings caught the eye of Watanabe Shozaburo, who added him to his roster of Shin Hanga stars. From this point on, beautiful women were almost Shinsui’s entire repetoire, although during World War II he did travel to Indonesia to produce designs depicting life there. His remarkable life spanned a tumultuous time indeed, and he died in 1972.