Shinsui | White Powder, from the series of Twelve Images of Modern Beauties
伊東深水 Ito Shinsui（1898-1972）
新美人十二姿之内 扑粉
White Powder, from the series of Twelve Images of Modern Beauties
1923
木版画｜纵绘大大判｜44.5cm×27cm
Woodblock-print ｜Large Oban tate-e｜44.5cm×27cm
限定200枚的25枚；云母底，品相非常好
200 limited edition, number 25; mint condition with mica ground
$14,000
《新美人十二姿》是伊东深水于20世纪20年代初创作的美人画系列，全套共计十二幅。其总体风格清雅秀丽，温柔质朴，是深水早期美人画代表作之一。
作为日本传统的底妆用品，白粉自古以来便是广大女性不可或缺的化妆品之一。在本作中，一位将衣裙半褪至胸口的美丽姑娘拿起粉扑抹匀白粉。在粉底的加持下，本就如玉的肌肤更添一分雪白，而乌黑浓密的秀发，以及指尖、臂膊关节处透着的粉红，更是传递着无限的青春活力。清澈的黑色眸子瞥向一侧，似乎正在出神。为强化主体对比，深水选用了颇耗工时财力的云母摺拓就美人身后的细密竹帘，隐约的丝绢光泽，将她的身形轮廓映衬得格外清晰。一切都看似再简单不过，一切又都怎么也看不够。
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Please contact us.
伊東深水 Ito Shinsui（1898-1972）
新美人十二姿之内 扑粉
White Powder, from the series of Twelve Images of Modern Beauties
1923
木版画｜纵绘大大判｜44.5cm×27cm
Woodblock-print ｜Large Oban tate-e｜44.5cm×27cm
限定200枚的25枚；云母底，品相非常好
200 limited edition, number 25; mint condition with mica ground
$14,000
《新美人十二姿》是伊东深水于20世纪20年代初创作的美人画系列，全套共计十二幅。其总体风格清雅秀丽，温柔质朴，是深水早期美人画代表作之一。
作为日本传统的底妆用品，白粉自古以来便是广大女性不可或缺的化妆品之一。在本作中，一位将衣裙半褪至胸口的美丽姑娘拿起粉扑抹匀白粉。在粉底的加持下，本就如玉的肌肤更添一分雪白，而乌黑浓密的秀发，以及指尖、臂膊关节处透着的粉红，更是传递着无限的青春活力。清澈的黑色眸子瞥向一侧，似乎正在出神。为强化主体对比，深水选用了颇耗工时财力的云母摺拓就美人身后的细密竹帘，隐约的丝绢光泽，将她的身形轮廓映衬得格外清晰。一切都看似再简单不过，一切又都怎么也看不够。
Interested in purchasing?
Please contact us.
伊東深水 Ito Shinsui（1898-1972）
新美人十二姿之内 扑粉
White Powder, from the series of Twelve Images of Modern Beauties
1923
木版画｜纵绘大大判｜44.5cm×27cm
Woodblock-print ｜Large Oban tate-e｜44.5cm×27cm
限定200枚的25枚；云母底，品相非常好
200 limited edition, number 25; mint condition with mica ground
$14,000
《新美人十二姿》是伊东深水于20世纪20年代初创作的美人画系列，全套共计十二幅。其总体风格清雅秀丽，温柔质朴，是深水早期美人画代表作之一。
作为日本传统的底妆用品，白粉自古以来便是广大女性不可或缺的化妆品之一。在本作中，一位将衣裙半褪至胸口的美丽姑娘拿起粉扑抹匀白粉。在粉底的加持下，本就如玉的肌肤更添一分雪白，而乌黑浓密的秀发，以及指尖、臂膊关节处透着的粉红，更是传递着无限的青春活力。清澈的黑色眸子瞥向一侧，似乎正在出神。为强化主体对比，深水选用了颇耗工时财力的云母摺拓就美人身后的细密竹帘，隐约的丝绢光泽，将她的身形轮廓映衬得格外清晰。一切都看似再简单不过，一切又都怎么也看不够。
Interested in purchasing?
Please contact us.
Ito Shinsui (1898-1972）
Ito Shinsui is best known for his Shin Hanga portraits, often three-quarters, of beautiful women. But he produced several memorable, and memorably tonal, landscapes during his career.
Born in 1898 in a fast-modernizing Japan, he started work as a factory worker before his obvious talent got him promoted to the design department. Later, his paintings caught the eye of Watanabe Shozaburo, who added him to his roster of Shin Hanga stars. From this point on, beautiful women were almost Shinsui’s entire repetoire, although during World War II he did travel to Indonesia to produce designs depicting life there. His remarkable life spanned a tumultuous time indeed, and he died in 1972.