Yoshida | Bamboo Grove

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吉田博 Hiroshi Yoshida (1876–1950)

竹林
Bamboo Grove

1939

木版画 | 纵绘大大判 | 39.3cm x 26.7cm
Woodblock-print | Large Oban tata-e | 39.3cm x 26.7cm

自摺;铅笔亲笔签名;品相近完美
Signed in brush and in pencil, with jizuri seal; great condition

$2,600

这是一片不知位于何地的竹林,或许是埼玉县的某处吧。一株株高大浓绿的修竹直插云霄,蓬勃翠绿的枝叶遮天蔽日。密密层层外,远处的水面、建筑与山林正被和煦的阳光所照耀,微微地泛着淡金色。竹林下的空地上,休憩着一只健硕的黄毛母鸡,一群儿孙们围绕在它的身边,或觅食,或嬉戏,一派温馨自然。

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吉田博 Hiroshi Yoshida (1876–1950)

竹林
Bamboo Grove

1939

木版画 | 纵绘大大判 | 39.3cm x 26.7cm
Woodblock-print | Large Oban tata-e | 39.3cm x 26.7cm

自摺;铅笔亲笔签名;品相近完美
Signed in brush and in pencil, with jizuri seal; great condition

$2,600

这是一片不知位于何地的竹林,或许是埼玉县的某处吧。一株株高大浓绿的修竹直插云霄,蓬勃翠绿的枝叶遮天蔽日。密密层层外,远处的水面、建筑与山林正被和煦的阳光所照耀,微微地泛着淡金色。竹林下的空地上,休憩着一只健硕的黄毛母鸡,一群儿孙们围绕在它的身边,或觅食,或嬉戏,一派温馨自然。

Interested in purchasing?
Please contact us.

吉田博 Hiroshi Yoshida (1876–1950)

竹林
Bamboo Grove

1939

木版画 | 纵绘大大判 | 39.3cm x 26.7cm
Woodblock-print | Large Oban tata-e | 39.3cm x 26.7cm

自摺;铅笔亲笔签名;品相近完美
Signed in brush and in pencil, with jizuri seal; great condition

$2,600

这是一片不知位于何地的竹林,或许是埼玉县的某处吧。一株株高大浓绿的修竹直插云霄,蓬勃翠绿的枝叶遮天蔽日。密密层层外,远处的水面、建筑与山林正被和煦的阳光所照耀,微微地泛着淡金色。竹林下的空地上,休憩着一只健硕的黄毛母鸡,一群儿孙们围绕在它的身边,或觅食,或嬉戏,一派温馨自然。

Interested in purchasing?
Please contact us.

Hiroshi Yoshida (1876–1950)

Hiroshi Yoshida is perhaps the second best known Shin Hanga artist, after Hasui. Trained as a painter from a young age, he showed his work at the Detroit Museum of Art in 1899, making him among the first Japanese artists to gain a reputation in the United States. Eventually, like so many of his contemporaries, he worked for Watanabe Shozaburo producing landscape prints. While many were set in Japan, he traveled extensively and produced several wonderful designs of American subjects, such as New York skyscrapers, the Pittsburgh waterfront and national parks, and European subjects, such as Lake Como in Italy. His prints always had a distinctly painterly feel, as if they’d fallen off a watercolor brush.