Yoshida | Fujiyama from Miho
吉田博 Hiroshi Yoshida (1876-1950)
三保
Fujiyama from Miho
1935
木版画 | 横绘大大判 | 27.2cm x 41cm
Woodblock-print | Large Oban Yoko-e | 27.2cm x 41cm
自摺；铅笔亲笔签名；品相近完美
Signed in brush and in pencil, with jizuri seal; fine condition
$3,200
三保，即位于静冈县静冈市东部的三保半岛，以名胜三保松原而闻名于世。2013年，联合国教科文组织将“富士山——信仰的对象与艺术的源泉”一项25件构成部分列为日本的世界遗产，三保松原即位列其中。
白沙滩伴碧蓝海浪在下，富士山随辽远松原在上。吉田博巧妙地利用海岸作为分割线，将画面平均地划成两份，奠定了明快爽利的基调。或许是因为夕阳伴生的暮霭，白雪皑皑的富岳此时笼罩在淡淡的粉红之中。那数十次的套色呈现出的霞光似乎不断变幻着令人窒息的美好，虽历经近九十年光阴，却几无任何褪色，富岳的无尽魅力，也因此更加纯粹完整。
Interested in purchasing?
Please contact us.
吉田博 Hiroshi Yoshida (1876-1950)
三保
Fujiyama from Miho
1935
木版画 | 横绘大大判 | 27.2cm x 41cm
Woodblock-print | Large Oban Yoko-e | 27.2cm x 41cm
自摺；铅笔亲笔签名；品相近完美
Signed in brush and in pencil, with jizuri seal; fine condition
$3,200
三保，即位于静冈县静冈市东部的三保半岛，以名胜三保松原而闻名于世。2013年，联合国教科文组织将“富士山——信仰的对象与艺术的源泉”一项25件构成部分列为日本的世界遗产，三保松原即位列其中。
白沙滩伴碧蓝海浪在下，富士山随辽远松原在上。吉田博巧妙地利用海岸作为分割线，将画面平均地划成两份，奠定了明快爽利的基调。或许是因为夕阳伴生的暮霭，白雪皑皑的富岳此时笼罩在淡淡的粉红之中。那数十次的套色呈现出的霞光似乎不断变幻着令人窒息的美好，虽历经近九十年光阴，却几无任何褪色，富岳的无尽魅力，也因此更加纯粹完整。
Interested in purchasing?
Please contact us.
吉田博 Hiroshi Yoshida (1876-1950)
三保
Fujiyama from Miho
1935
木版画 | 横绘大大判 | 27.2cm x 41cm
Woodblock-print | Large Oban Yoko-e | 27.2cm x 41cm
自摺；铅笔亲笔签名；品相近完美
Signed in brush and in pencil, with jizuri seal; fine condition
$3,200
三保，即位于静冈县静冈市东部的三保半岛，以名胜三保松原而闻名于世。2013年，联合国教科文组织将“富士山——信仰的对象与艺术的源泉”一项25件构成部分列为日本的世界遗产，三保松原即位列其中。
白沙滩伴碧蓝海浪在下，富士山随辽远松原在上。吉田博巧妙地利用海岸作为分割线，将画面平均地划成两份，奠定了明快爽利的基调。或许是因为夕阳伴生的暮霭，白雪皑皑的富岳此时笼罩在淡淡的粉红之中。那数十次的套色呈现出的霞光似乎不断变幻着令人窒息的美好，虽历经近九十年光阴，却几无任何褪色，富岳的无尽魅力，也因此更加纯粹完整。
Interested in purchasing?
Please contact us.
Hiroshi Yoshida (1876-1950)
Hiroshi Yoshida is perhaps the second best known Shin Hanga artist, after Hasui. Trained as a painter from a young age, he showed his work at the Detroit Museum of Art in 1899, making him among the first Japanese artists to gain a reputation in the United States. Eventually, like so many of his contemporaries, he worked for Watanabe Shozaburo producing landscape prints. While many were set in Japan, he traveled extensively and produced several wonderful designs of American subjects, such as New York skyscrapers, the Pittsburgh waterfront and national parks, and European subjects, such as Lake Como in Italy. His prints always had a distinctly painterly feel, as if they’d fallen off a watercolor brush.